Patrick Flack

Senior Lecturer in history of ideas of Central and Eastern Europe at the University of Fribourg since 2021. He studied Russian, philosophy and history in Geneva, Berlin and Moscow, before obtaining a PhD from Charles University in Prague (2011). He was then a SNF post-doc researcher at the Central-European Institute of Philosophy (Prague), the Peter-Szondi Institute (Berlin) and the Husserl Archives (Leuven). In 2012, he founded sdvig press, an open access digital publishing platform, which runs the international project Open Commons of Phenomenology

(2024). Squares, circles and triangulations: Roman Jakobson, the Prague Linguistic Circle and the intellectual configurations of interwar Prague. Střed, 16 (2), 8-28. https://doi.org/10.54681/c.2024.2.1.

(2024). The word is not enough: thinking Russian Formalism beyond literary theory. Vremennik russkogo formalizma, 1, 5-40. https://doi.org/10.14672/rf.v1i1.2440.

(2023). Inner form and the development of the concept of expression in structuralism and phenomenology (Špet, Jakobson, Merleau-Ponty). Histoire Épistémologie Langage, 45 (1), 87-104. https://doi.org/10.4000/hel.3516.

(2023). Phenomenology as an abortive science of art: two contexts of early phenomenological aesthetics (allgemeine Kunstwissenschaft and GAChN). Journal of Aesthetics and Phenomenology, 10 (2), 109-125.

(2023). Phenomenology in German-speaking areas and in Russia. In M. Mrugalski, S. Schahadat & I. Wutsdorff (eds.) Central and Eastern European literary theory and the West (pp. 309-322). Berlin: de Gruyter.

with Martin Erik, Mrugalski Michał (2022). Neo-Kantian philosophy as method and network. In E. Martin, M. Mrugalski & P. Flack (eds.) Neo-Kantianism as an entanglement of intellectual cultures in Central and Eastern Europe (pp. 7-13). Genève-Lausanne: sdvig press.

with Martin Erik, Mrugalski Michał (eds) (2022). Neo-Kantianism as an entanglement of intellectual cultures in Central and Eastern Europe: Neukantianismus als Verflechtung von Wissenskulturen Mittel-und Osteuropas. Genève-Lausanne: sdvig press.

(2021). Hendrik Pos, la conscience linguistique et la phénoménologie du langage. Signifiances (Signifying), 5 (1), 163-182. https://doi.org/10.52497/signifiances.v5i1.315.

(2020). Le "sens du réel" et l'indication chez Trần Đức Thảo: Une comparaison critique avec Hendrik Pos. Histoire Épistémologie Langage, 42 (2), 49-62.

(2019). Faces of anti-positivism in Prague: the Masaryk-Festschrift (1930). In A. De La Fortelle & S. Moret (eds.) Histoires des linguistiques, histoires des idées / Istorija lingvistiki, istorija idej (pp. 219-232). Moskva: OGI.

(2019). From Šklovskij's modernist aesthetics to Merleau-Ponty's phenomenology. Acta Structuralica, 4. https://doi.org/10.19019/actas.2019.4.3.

with Aurora Simone (2018). Principles of structural phenomenology: a basic outline and commentary. Acta Structuralica, 1, 151-169. https://doi.org/10.19079/actas.2018.s1.151.

(2018). Idée, expression, vécu: La question du sens entre phénoménologie et structuralisme. Paris: Hermann.

with Stawarska Beata (2018). Introduction. Acta Structuralica, 2, 1-4. https://doi.org/10.19079/actas.2018.s2.1.

with Stawarska Beata (eds) (2018). Acta Structuralica Special Issue 2.

(2017). De l'objet esthétique à la forme sensible: phénoménologie de l'avant-garde russe. Ligeia: Dossiers sur l'art, 157-160, 118-132.

(2017). From a theory of verse to a typology of musical rhythm and back again: Eduard Sievers - Gustav Becking - Roman Jakobson. Wiener Slawistischer Almanach, Sonderband 92, 201-216.

(2017). Roman Jakobson i fenomenologičeskij moment strukturnoj lingvistiki. In N. S. Avtonomova (ed.) Роман Осипович Якобсон (pp. 152-167). Moskva: Rosspėn.

(2017). 雅各布森和德国思想向结构主义范式的转变. Comparative Literature in China, 3.

with Aurora Simone (2016). Phenomenology and linguistics: introduction. Metodo, 4 (2), 7-12. https://doi.org/10.19079/metodo.4.2.7.

(2016). Andrej Belyj, lecteur de Potebnja: un jalon néo-kantien de l'approche poétique du langage en Russie. Cahiers de l'ILSL, 46, 79-92.

(2016). Phänomenologische Ästhetik und die allgemeine Kunstwissenschaft. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft (Neue Serie), 61 (2), 329-344.

(2016). Phenomenological contributions to the Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft: A digital bibliography. Dossiers in Phenomenology, 1, n/a.

(2016). R. O. Šor et la controverse entre formalisme et marxisme. Cahiers de l'ILSL, 47, 185-203.

(2016). Roman Jakobson and the transition of German thought to the structuralist paradigm. Acta Structuralica, 1, 1-15. https://doi.org/10.19079/actas.2016.1.1.

with Aurora Simone (eds) (2016). Metodo 4 (2).

(2015). B. Stawarska, Saussure's philosophy of language as phenomenology [Review of the book Saussure's philosophy of language as phenomenology, by B. Stawarska]. Phenomenological Reviews 1, 2.

(2015). Between literature and philosophy: Russian formalism and the Neo-kantians. Wiener Slawistischer Almanach, 76, 87-96.

(2015). J. Levčenko, Drugaja Nauka: Aux carrefours biographiques du Formalisme russe [Review of the book Drugaja Nauka, by J. Levčenko]. A Contrario 21, 139-143.

(2015). Roman Jakobson i perechod nemeckoj naučnoj mysli k strukturalistskoj paradigme: K novoj istoriografii strukturalizma. Arbor Mundi - Mirovoe Drevo, 21, 73-82.

(2015). The anglo-american expat as cultural echo: a brief look at Prague's English-speaking literature. In A. Förster & N. Schmidt (eds.) Distanz (pp. 173-182). Weimar: VDG Verlag.

(2014). Vremennye struktury v teoretičeskoj poetike russkich formalistov: povtor, akkord, ritm, stichovoj rjad. In G. Vekšin (ed.) Metodologija i praktika russkogo formalizma (pp. 170-177). Moskva: Azbukovnik.

(2013). Evgenij Polivanov dans le contexte épistémologique du Formalisme russe. In S. Archaimbault & S. Tchougounnikov (éds) Evgenij Polivanov (pp. 32-39). Paris: Institut d'Études Slaves.

(2013). Hendrik Pos: une philosophie entre idée et vécu. In H. Pos Ecrits sur le langage (pp. 9-26). Genève-Lausanne: sdvig press.

(2013). Le moment phénoménologique de la linguistique structurale. Cahiers de l'ILSL, 37, 117-126.

(2013). Structures temporelles dans la poétique des formalistes russes: répétition, accord, rythme, série du vers. In J. Jaccard & I. Podoroga (éds) Temps ressenti et Temps construit dans les littératures russe et française au XXe siècle (pp. 179-196). Paris: Kimé.

(2013). Von Šklovskijs moderner Ästhetik zur Phänomenologie Merleau-Pontys. In A. A. Hansen-Löve, B. Obermayr & G. Witte (Hrsg.) Form und Wirkung (pp. 111-120). Paderborn: Fink.

Pos Hendrik (2013). Ecrits sur le langage. Genève-Lausanne: sdvig press.

(2011). Ausdruck – Vyraženie – Expression: transferts d’une notion entre phénoménologie(s) et structuralisme. Cahiers de l'ILSL, 29, 23-32.

(2011). The expressiveness of experience: a structural and phenomenological account of the Russian formalists' "aesthetic of estrangement". Praha: Filozofická fakulta Univerzity Karlovy.

(2010). V teni strukturalizma: Šklovskij, Merleau-Ponty... i Špet ?. In T. Ščedrina (ed.) Gustav Špet i ego filosofskoe nasledie (pp. 154-164). Moskva: Rosspėn.

(2008). Dans l'ombre du structuralisme: Šklovskij, Merleau-Ponty… et Špet? Slavica Occitania, 26, 393-404.

(2007). H. U. Gumbrecht, The production of presence [Review of the book The production of presence, by H. U. Gumbrecht]. Slovo a Smysl 4 (7), 280-284.

(2006). Merleau-Ponty et la "défamiliarisation" des Formalistes russes. Chiasmi International, 8, 235-254. https://doi.org/10.5840/chiasmi2006837.