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(2000) The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer.

An unfolding of theory and practice

From Ingarden to a phenomenological aesthetic for opera

Ellen Burns

pp. 401-416

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Full citation:

Burns, E. (2000)., An unfolding of theory and practice: From Ingarden to a phenomenological aesthetic for opera, in M. Kronegger (ed.), The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer, pp. 401-416.