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The orchestration of the arts — a creative symbiosis of existential powers
The vibrating interplay of sound, color, image, gesture, movement, rhythm, fragrance, word, touch
Edited by
Marlies Kronegger
Publication details
DOI: 10.1007/978-94-017-3411-0
Full citation:
Kronegger, M. (ed) (2000). The orchestration of the arts — a creative symbiosis of existential powers: The vibrating interplay of sound, color, image, gesture, movement, rhythm, fragrance, word, touch, Kluwer, Dordrecht.
Table of Contents
Table of contents
v-vii
The interdependency of literature, architecture, theater and music as an expression of baroque absolutism at the Hapsburg court in Vienna
Scholz Gottfried
135-148
Literature and architecture as a metaphor of "grandeur" and "decadence"
Sweetser Marie-Odile
149-164
An orchestration of the arts in Wallace Stevens' "Peter quince at the clavier"
Feshbach Sidney
183-194
Images of water and the sea in Tristan L'hermite's "La mer" and in painting
Osowiec Ruoff Cynthia
241-254
Interreflection of complementary expressive means in combined-media art performances
Voronina Lydia
325-342
The orchestration of the arts in Leïla Sebbar's Shérazade, 17 ans, brune, frisée, les yeux verts
Mccullough Mary Elisabeth
343-350
Arts nurturing human culture
363-467
The cultural milieu of Francis Poulenc (1899–1963) and his "musique de tous les jours"
Weaver Stephanie
437-467
Index of names
469-475
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