Caryl Emerson
(2015). Bakhtin and the actor (with constant reference to Shakespeare). Studies in East European Thought 67 (3-4), pp. 183-207.
(2011)., Literary theory in the 1920s: four options and a practicum, in E. Dobrenko & G. Tihanov (eds.), A history of Russian literary theory and criticism, Pittsburgh, University of Pittsburgh Press, pp. 64-89.
(2006)., Answering for Central and Eastern Europe, in H. Saussy (ed.), Comparative literature in an age of globalization, Baltimore, Johns Hopkins University Press, pp. 203-211.
(2005). Mikhail Bakhtin and the dialogic word in literary art: what sort of fiction is this?. Graduate Faculty Philosophy Journal 26 (1), pp. 107-143.
(2005). Shklovsky's "ostranenie" , Bakhtin's "vnenakhodimost': (how distance serves an aesthetics of arousal differently from an aesthetics based on pain. Poetics Today 26 (4), pp. 637-664.
(2004). On the generation that squandered its philosophers: Losev, Bakhtin, and classical thought as equipment for living. Studies in East European Thought 56 (2-3), pp. 95-117.
(1997). The first hundred years of Mikhail Bakhtin, Princeton University Press, Princeton.
Bachtin, M. (1986). Speech genres and other late essays, ed. Emerson Caryl; Holquist Michael, University of Texas Press, Austin.