References
Karen Karbiener
(2000). Aspiring to the condition of music: Hardy and his art from the 1840s to the 1890s. In A. Tymieniecka (ed.) The aesthetic discourse of the arts (pp. 71-85). Dordrecht: Kluwer.
(2000). This is mine, and I can hold it: Edna St. Vincent Millay and her music. In M. Kronegger (ed.) The orchestration of the arts — a creative symbiosis of existential powers (pp. 293-302). Dordrecht: Kluwer.