Felix Ó Murchadha

in English

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(2004). A conversation with Richard Kearney. Symposium, 8 (3), 667-683. https://doi.org/10.5840/symposium20048347.

(2018). A phenomenology of the infinite: horizon, faith and love. Journal for Cultural and Religious Theory, 17 (2), 338-352.

(2005). Being alive: the place of life in Merleau-Ponty and Descartes. Chiasmi International, 7, 209-222. https://doi.org/10.5840/chiasmi2005734.

(2013). E. Dahl, Phenomenology and the holy [Review of the book , by ]. Husserl Studies 29 (3), 255-261.

(2003). P. Keller, Husserl and Heidegger on human experience. Husserl Studies, 19 (1), 93-100. https://doi.org/10.1023/A:1022260212405.

with Madison Gary Brent (2015). Philosophical conversations with Gary Madison. Symposium, 19 (2), 123-127. https://doi.org/10.5840/symposium201519228.

(2008). Reduction, externalism and immanence in Husserl and Heidegger. Synthese, 160 (3), 375-395.

(2015). Space, time, and the articulation of a place in the world: the philosophical context. In B. Richardson (ed.) Spatiality and symbolic expression (pp. 21-40). Basingstoke: Palgrave Macmillan.

(2013). The intimate strangeness of being: metaphysics after dialectic. by William Desmond [Review of the book , by ]. American Catholic Philosophical Quarterly 87 (3), 545-548.

(2012). The political and ethical significance of waiting: Heidegger and the legacy of thinking. In J. Jansen (ed.) Critical communities and aesthetic practices (pp. 139-149). Dordrecht: Springer.

(2019). The temporality of violence: destruction, dissolution and the construction of sense. In L. Lauwaert, L. K. Smith & C. Sternad (eds.) Violence and meaning (pp. 41-58). Basingstoke: Palgrave Macmillan.

(2018). Timely/untimely: the rhythm of things and the time of life. Symposium, 22 (2), 178-200. https://doi.org/10.5840/symposium201822222.

(2016). Violence and responsibility. In A. Fives & K. Breen (eds.) Philosophy and political engagement (pp. 245-262). Basingstoke: Palgrave Macmillan.

(ed) (2006). Violence, victims, justifications. Bern: Peter Lang.