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CD tracks

Rolf Bader

pp. 439-441

Sound 1 dizi_without_with_membrane.wav Two dizi tones of same pitch, the first without, the second with membrane attached (section Mirliton). Sound 2 Trumpet_1.wav The beginning of a trumpet sound built by the impulse pattern formulation using a 600 Hz periodicity and a smooth Gauss impulse. The 'spitting" in the beginning is caused by the complex impulse pattern. Sound 3 Trumpet_2.wav Like Sound 2 using the same impulse pattern but a sharper Gauss impulse resulting in a brighter sound. Sound 4 Trumpet_3.wav Like Sound 2 using the same impulse pattern but a lower pitch of 400 Hz periodicity. Sound 5 Trombone_1.wav Trombone sound of 200 Hz periodicity built by the impulse pattern formulation of a smooth attack. Sound 6 Trombone_1.wav Same as Sound 6 but with a more complex impulse pattern resulting in a more prominent starting impulse. Sound 7 Violin_1.wav Violin sound produced by the impulse pattern formulation using a "perfect" sawtooth motion as waveform and a periodicity of 500 Hz. The impulse pattern used is the same as for the first trumpet sound. Here it is not resulting in a 'spitting" but in the typical violin scratching sound. Sound 8 Violin_2.wav Same as Sound 7 using a 600 Hz periodicity and a different impulse pattern. Sound 9 Violin_3.wav Same as Sound 7 using a 1000 Hz periodicity and again a different impulse pattern.

Publication details

DOI: 10.1007/978-3-642-36098-5_14

Full citation:

Bader, R. (2013). CD tracks, in Nonlinearities and synchronization in musical acoustics and music psychology, Dordrecht, Springer, pp. 439-441.

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