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(2015) Rivista di estetica 58 (supplemento).
Starting from three works by Ugo Nespolo dedicated to pop and maintaining Warhol as a reference figure, this essay seeks to outline some crucial points of pop aesthetics: the idea of an artificial and constructible aesthetic and the consequent marginalization of nature; the construction of the pop beauty as phenomenology of iconic expendability; the network of media images as the final result of the dialectic between art and industry.
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Full citation:
Mecacci, A. (2015). Il pop è amare le cose. Rivista di estetica 58 (supplemento), pp. 115-121.
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