174757

(2015) Rivista di estetica 58 (supplemento).

Nespolo tra Warhol e Rilke

Maurizio Ferraris

pp. 111-114

In the field of social objects, in the hierarchy of values (and often of prices) a special place is occupied by those inscriptions that should move us or amuse us, frighten us or make us think, or even just make us look good into society: that is, the works of art. The artwork begins to exist only when we have an expression and an inscription. This teaches us — and Ugo Nespolo knows it better than anyone else — how important the work (understood as labour) is in art: craft is the father of all arts, and, in the end, it is true that genius is first of all diligence.

Publication details

DOI: 10.4000/estetica.2285

Full citation:

Ferraris, M. (2015). Nespolo tra Warhol e Rilke. Rivista di estetica 58 (supplemento), pp. 111-114.

This document is available at an external location. Please follow the link below. Hold the CTRL button to open the link in a new window.