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(1999) Max Weber and the culture of anarchy, Basingstoke, Palgrave Macmillan.
When Weber's mother came to stay she was obviously shocked by the display of nudity so evident and asked them "at least remove the Klingers from their walls". This became a matter of some comment within the family and when Helene's sister Ida Baumgarten visited, she wrote to her daughter that the Klingers "decorate all the rooms". And when a young Else von Richthofen visited the house the impact of the Klingers was sufficiently strong for her to comment on them some decades later to Eduard Baumgarten, who recorded: "On the wall opposite Max Weber's desk hung an original etching by Max Klinger. On the way home she wondered what kind of person would have hung this picture on the wall opposite him."4
Publication details
DOI: 10.1007/978-1-349-27030-9_10
Full citation:
Chalcraft, D. (1999)., Love and death: Weber, Wagner and Max Klinger, in S. Whimster (ed.), Max Weber and the culture of anarchy, Basingstoke, Palgrave Macmillan, pp. 196-213.
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