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(2014) The sounds of silent films, Basingstoke, Palgrave Macmillan.
Organizing a music library for playing to pictures
theory vs. practice in Britain
Julie Brown
pp. 13-35
It would not be toomuch to say that three-quarters of a musical director’s best work is done in the library. Fifty per cent of his work is in the organizing of his library, and twenty-five in fitting the picture there.1
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Full citation:
Brown, J. (2014)., Organizing a music library for playing to pictures: theory vs. practice in Britain, in C. Tieber & A. K. Windisch (eds.), The sounds of silent films, Basingstoke, Palgrave Macmillan, pp. 13-35.
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