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(2018) Computational models of rhythm and meter, Dordrecht, Springer.
This chapter is meant to give some philosophical thoughts on the subject of rhythm and musical form. For related discussions I would like to point the reader to Husserl, (Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins, Tübingen: Niemeyer, (1980)), Thakar (Looking for the Harp Quartet: An Investigation into Musical Beauty, Rochester, University of Rochester Press, NY, (2011)) and Boenn (Proceedings of the ICMC 2008, ICMA, Belfast, p. 4, (2008)). I will introduce in this chapter terminology that will recur throughout the book, and I am trying to give a greater perspective to these terms and why they are helpful for our discussion of rhythm and meter.
Publication details
DOI: 10.1007/978-3-319-76285-2_2
Full citation:
Boenn, G. (2018). Phenomenology of rhythm and meter, in Computational models of rhythm and meter, Dordrecht, Springer, pp. 7-13.
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