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(2018) Toward a philosophy of the documentarian, Dordrecht, Springer.

Documentarian-sensoriality (ds)

Dan Geva

pp. 73-147

This chapter shifts the emphasis to what Kant refers to as intuition—or, on another level, the empirical, a posteriori aspect of recognizing the documentarian. In many respects, this chapter aims to expand the principal assertion of the book as a whole by arguing that a quadruple semiotic extension of the documentarian based on the innovative model and methodology of the documentarian-as-extended-sign (DES) cannot become truly meaningful, discursively or existentially, without direct consideration of the concrete sensorial evidences that these real-life mega-documentarians created for their own documentarian-subjectivity—and which, as such, stand as a fundamental concept in our journey toward a philosophy of the DES.

Publication details

DOI: 10.1007/978-3-319-75568-7_3

Full citation:

Geva, D. (2018). Documentarian-sensoriality (ds), in Toward a philosophy of the documentarian, Dordrecht, Springer, pp. 73-147.

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