The Palgrave handbook of sound design and music in screen media

Repository | Book

Springer, Dordrecht

2016

468 Pages

ISBN 978-1-137-51679-4

The Palgrave handbook of sound design and music in screen media

integrated soundtracks

Edited by

Liz Greene , Danijela Kulezic-Wilson

Publication details

Full citation:

Greene, L. , Kulezic-Wilson, D. (eds) (2016). The Palgrave handbook of sound design and music in screen media: integrated soundtracks, Springer, Dordrecht.

Table of Contents

Introduction

Greene Liz; Kulezic-Wilson Danijela

1-13

From noise

Greene Liz

17-32

Interview 1

Greene Liz

33-42

Organizing sound

Sergi Gianluca

43-56

Mixing as a hyperorchestration tool

Casanelles Sergi

57-72

Emotional sound effects and metal machine music

Donnelly K. J.

73-88

Towards 3-d sound

Mera Miguel

91-111

Inner and outer worlds in the film gravity

Gabriel Gilbert; Sonnenschein David

113-121

Intertwining music and sound in film

Huvenne Martine

123-137

Interview 2

Mera Miguel

139-150

Sound effects/sound affects

Wierzbicki James

153-168

Listening to violence

Grajeda Tony

169-182

Acoustic disgust

Coulthard Lisa

183-193

Mad sound and the crystal-image

Almén Byron; Buhler James

197-212

The sonic realm in the quatermass experiment

Stilwell Robynn J.

213-228

Sound, music and memory in Jia Zhangke's "Hometown trilogy"

Lovatt Philippa

229-244

Vinyl noise and narrative in cd-era indiewood

Garwood Ian

245-260

Interview 3

Joyce Tozer Meghan

261-270

From analogue to digital

Spring Katherine

273-288

Unlearning film school

Johnston Nessa

289-304

The Janus project

Davison Annette; Reyland Nicholas

305-319

Interview 4

Davison Annette

321-328

The sound of an android's soul

Brophy Philip

331-346

The sounds in the machine

Gibbons William

347-359

Redundancy and information in explanatory voice-ins and voice-offs

Deane Cormac

361-375

Interview 5

Hough John

377-384

Electroacoustic composition and the british documentary tradition

Birtwistle Andy

387-402

Renegotiating the overture

Melvin Adam

403-419

Interview 6

Sapiro Ian

421-428

Musically conceived sound design, musicalization of speech and the breakdown of film soundtrack hierarchy

Kulezic-Wilson Danijela

429-444

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