Babette Babich


, 2021, Nietzsches Plastik: Ästhetische Phänomenologie im Spiegel des Lebens, Peter Lang, Bern.

, 2017a, On Merleau-Ponty's crystal lamellae: aesthetic feeling, anger, and politics, in V. Fóti & P. Kontos (eds.), Phenomenology and the primacy of the political, Dordrecht, Springer, pp. 125-151.

, 2017b, Tools for subversion: Illich and Žižek on changing the world, in S. Mazzini & O. Glyn-Williams (eds.), Making communism hermeneutical, Dordrecht, Springer, pp. 95-111.

(ed) , 2017, Hermeneutic philosophies of social science, De Gruyter, Berlin.

, 2016, 'Vers une éthique de l'assistance', Symposium 20 (1), 194-212.

, 2015a, Friedrich Nietzsche and the posthuman/transhuman in film and television, in M. Hauskeller, T. D. Philbeck & C. D. Carbonell (eds.), The Palgrave handbook of posthumanism in film and television, Dordrecht, Springer, pp. 45-53.

, 2015b, The "new" Heidegger, in T. Georgakis & P. J. Ennis (eds.), Heidegger in the twenty-first century, Dordrecht, Springer, pp. 167-187.

, 2014a, Constellating technology: Heidegger's die Gefahr/the danger, in B. Babich & D. Ginev (eds.), The multidimensionality of hermeneutic phenomenology, Dordrecht, Springer, pp. 153-182.

, 2014b, Truth untrembling heart, in M. Marder & S. Zabala (eds.), Being shaken, Dordrecht, Springer, pp. 154-176.

with Ginev, D. (eds) , 2014, The multidimensionality of hermeneutic phenomenology, Springer, Dordrecht.

, 2013a, 'Angels, the space of time, and apocalyptic blindness: on Günther Anders' Endzeit-Endtime', Etica & Politica / Ethics & Politics 15 (2), 144-174.

, 2013b, 'Genius Loci - Lo spazio scolpito e il mistero di Nietzsche, Lou e il Sacro Monte', Rivista di estetica 53, 235-262.

, 2011a, "Artisten-Metaphysik" und "Welt-Spiel" bei Nietzsche und Fink, in C. Nielsen & H. R. Sepp (Hrsg.), Welt denken, Freiburg-München, Alber, pp. 57-88.

, 2011b, 'Adorno on nihilism and modern science, animals, and Jews', Symposium 15 (1), 110-145.

, 2004, 'Reading David B. Allison's reading the new Nietzsche', Symposium 8 (1), 19-35.

, 2002a, Heidegger's truth of art and the question of aesthetics, in B. Babich (ed.), Hermeneutic philosophy of science, van Gogh's eyes, and God, Dordrecht, Springer, pp. 265-278.

, 2002b, Sokal's hermeneutic hoax: physics and the new inquisition, in B. Babich (ed.), Hermeneutic philosophy of science, van Gogh's eyes, and God, Dordrecht, Springer, pp. 67-78.

, 2002c, The fortunes of incommensurability, in B. Babich (ed.), Hermeneutic philosophy of science, van Gogh's eyes, and God, Dordrecht, Springer, pp. 1-18.

(ed) , 2002, Hermeneutic philosophy of science, van Gogh's eyes, and God: essays in Honor of Patrick A. Heelan, S.J., Springer, Dordrecht.

(ed) , 2001, Research Resources Paper 42.

, 2000, 'Nietzsche and eros between the devil and god's deep blue sea: the problem of the artist as actor-jew-woman', Continental Philosophy Review 33 (2), 159-188.

, 1999a, Nietzsche's critical theory: the culture of science as art, in B. Babich (ed.), Nietzsche, theories of knowledge, and critical theory I, Dordrecht, Springer, pp. 1-26.

, 1999b, Truth, art, and life: Nietzsche, epistemology, philosophy of science, in B. Babich (ed.), Nietzsche, epistemology, and philosophy of science II, Dordrecht, Springer, pp. 1-24.

(ed) , 1999a, Nietzsche, epistemology, and philosophy of science II: Nietzsche and the sciences, Springer, Dordrecht.

(ed) , 1999b, Nietzsche, theories of knowledge, and critical theory I: Nietzsche and the sciences, Springer, Dordrecht.

, 1997, Against postmodernism and the "new" philosophy of science: Nietzsche's image of science in the light of art, in D. Ginev & R. S. Cohen (eds.), Issues and images in the philosophy of science, Dordrecht, Springer, pp. 27-45.

, 1995, Heidegger's philosophy of science: calculation, thought, and geLassenheit, in B. Babich (ed.), From phenomenology to thought, errancy, and desire, Dordrecht, Springer, pp. 589-599.

(ed) , 1995, From phenomenology to thought, errancy, and desire: Essays in honor of William J. Richardson, S.J., Springer, Dordrecht.

, 1993, 'A musical retrieve of Heidegger, Nietzsche, and technology: cadence, concinnity, and playing brass', Man and World 26 (3), 239-260.

, 1991, Towards a post-modern hermeneutic ontology of art: Nietzschean style and Heideggerian truth, in M. Kronegger (ed.), Phenomenology and aesthetics, Dordrecht, Kluwer, pp. 195-209.

, 1989a, 'From Nietzsche's artist to Heidegger's world: the post-aesthetic perspective', Man and World 22 (1), 3-23.